Eye For Film >> Festivals >> A-Z >> Cambridge Film Festival >> 2007
The 27th Cambridge Film Festival runs from July 5 to 15. It opens with the UK Premiere of Lady Chatterley - which scooped a host of Cesar awards in its native France. The screening is part of the festival's New French Cinema strand, which also features Cannes Jury Prize winner Flanders
Other strands include New German Cinema, FrightFest, Cinecology - The Environment On Film as well as a series of revivals and open air screenings, including a free outdoor showing of the Christopher Lee version of Dracula. Among the other highlights are a screening of Sundance audience hit Waitress and the UK premiere of the excellent Clubland. The festival will wrap up on July 15 with Lasse Hallstrom's latest The Hoax.
Plus, from July 6 to 15, the Cambridge Film Festival is going to London. For the first time ever, the Curzon Soho will host a selection of the films.
View previous years coverage of the Cambridge Film Festival festival:
CFF Latest Reviews
James Bond earns his double zero status and relaxes at the poker table with a mass murderer.
A dream machine is stolen, leading to people being unable to distinguish reality from fiction.
A young prince is caught up in a titanic struggle of sorcerers.
Two young men with a shared past set out to try and rescue an imprisoned Djinn fairy, learning about themselves in the process.
A look at the lives and origins of the young gangsters who control Haiti's shanty towns.
An experimental art film exploring Japanese traditions.
A US congressman is ordered by God to build an ark in preparation for a great flood. Out to own on DVD from November 26.
A banished duke and a young nobleman, Orlando, seek refuge in the Forest of Arden. The duke's daughter, in love with Orlando, pursues him disguised as a boy and devises a test for his love.
A nightclub singer falls in love with a much younger woman.
Documentary following a group of Roma musicians from diverse backgrounds who get together to tour the US.
Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara
Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent
Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses
A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle
Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988
The iconic man Jonathan Baker on Becoming Iconic and Inconceivable
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