Mostra De Valencia 2019

View other Mostra De Valencia Films by strand: Guy Debord, Filmmaker, Honorary Palm Tree - Ferzan Ozpetek, Honorary Palm Tree - Liliana Cavani, Informative Section, Official Selection, Opening and Closing Films, Special Sessions, The Golden Age Of Italian Comedy, The Women Revolution In Cinema

Amanece Como Puedas (Country: Spain; Year: 1988; Director: Antoni P Canet; Writer: Antoni P Canet; Stars: Juanjo Puigcorbé, Núria Hosta, Ovidi Montllor, Guillermo Montesinos, Paula de Villalonga, Kiku Vidal, Rafael Hernández, Joan Monleón, Francisco Sanchís, Sefa Melio, Ana Turanzo, Jaime Pujol, Joaquín Climent, Queta Claver, Ana Durá)
A group of urbanites spend a weekend at a town on the Mediterranean coast during the local festivities. Among them are an anthropology professor, a television crew, a journalist and a photographer. They will all have an unforgettable weekend.
La Camisa De La Serpiente (Country: Spain; Year: 1996; Director: Antoni P Canet; Writer: Antoni P Canet, Joan Álvarez, Pepe Cano; Stars: Antonio Hortelano, Zoe Berriatúa, Iván Morales, Cristina Brondo, Montse Pérez, Albert Forner, Cristina Perales, Jaime Pujol, Amparo Climent, Manuel Puchades, Juli Mira, Francisca Grande, Juan Luis Molina, Rafa Contreras, Paco Sanchís)
At the end of the Sixties, a group of teenagers who play in a band in a Mediterranean town want to form a rock band. The band’s new director, a singer and an English painter will help them.
Las Alas De La Vida (Country: Spain; Year: 2006; Director: Antoni P Canet; Writer: Antoni P Canet, Carmen Font, Xavi García-Raffi, Jorge Goldenberg, Francesc Hernández; Stars: Enric Benito, Carmela Cristos Font, Carlos Cristos, Carmen Font, Olvido González, Arantza Gorospe, Omar Karpyza, Carlos Simón, Enric Benito, Carmela Cristos Font, Carlos Cristos, Carmen Font, Olvido González, Arantza Gorospe, Omar Karpyza)
Documentary that sees the director travel with his friend, a doctor with a terminal illness, through the complex scenario created between life and death.

Filming sensations Mathieu Amalric on Pierre Léon, Jeanne Balibar and the sounds and colours of Barbara

Character arc Seth A Smith on filming with a two-year-old and bringing marbling to life in The Crescent

Keeping up appearances Marcello Martinessi on cultural conservatism and filmmaking honesty in The Heiresses

A different space Kelly Macdonald on working with Marc Turtletaub on Puzzle

Out of the past Susanna Nicchiarelli on Trine Dyrholm and the costume design in Nico, 1988

The iconic man Jonathan Baker on Becoming Iconic and Inconceivable

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