Eye For Film >> News & Feature Stories >> Feature Story Archive by Paul Risker

A wicked experience
by Paul Risker
Daniel Kokotajlo on British folk horror and Starve Acre
A little bit of life
by Paul Risker
Tatiana Huezo on capturing the moment in The Echo
Her own anchor
by Paul Risker
Haley Bennett and Thomas Napper on Widow Clicquot
Making films without permission
by Paul Risker
Nicole Riegel on why cinema should be uncomfortable, and Dandelion
Fragile yet beautiful
by Paul Risker
Usman Riaz on creating animated magic in The Glassworker
Vulnerable moments
by Paul Risker
Nate Dushku, Amnon Lourie and Michael Emery on Birder
Embracing ambiguity
by Paul Risker
Christopher Murray on uncertainty, the potential of cinema, and Sorcery
In uncharted territory
by Paul Risker
Alex Essoe on different kinds of horror and Trim Season
Audacious filmmaking
by Paul Risker
David Hinton on Made In England: The Films Of Powell And Pressburger
The full picture
by Paul Risker
DW Young on exploring the work of James Hamilton in Uncropped
Light and magic
by Paul Risker
Hélène Louvart on the challenges of photographing Nezouh
Bad influence
by Paul Risker
Natasha Henstridge on Cinderella's Revenge
The tip of the iceberg
by Paul Risker
Milad Alami on character creation, films that linger, and Opponent
Waking from a dream
by Paul Risker
Annick Blanc on chaos, hidden strength and Hunting Daze
All aboard
by Paul Risker
Nicolas Philibert on the art of documentary, psychiatry and On The Adamant
Between strangers
by Paul Risker
Anthony Chen in capturing emotion in Drift
Choosing her colours
by Paul Risker
Joe Lawlor and Christine Malloy on Rose Dugdale and Baltimore
A film that sticks in your throat
by Paul Risker
Robert Morgan on puppets, obsession, inevitability and Stopmotion
The beauty of the road
by Paul Risker
Emma Westenberg on empathy, absurdity and Bleeding Love
Sculpting a story
by Paul Risker
Jianjie Lin on working layer by layer on Brief History Of A Family
An extreme life
by Paul Risker
Lucy Lawless on telling the story of Margaret Moth in Never Look Away
A twist in the plot
by Paul Risker
Marc Isaacs on exploring Englishness in This Blessed Plot
The hidden lighthouse
by Paul Risker
James Rowe on leaving something to the imagination in Breakwater
Breaking free
by Paul Risker
Zeno Graton on youth detention, love without shame, and The Lost Boys
Violence as narrative
by Paul Risker
Xavier Gens on balancing action and emotion in Farang
Off the rails
by Paul Risker
Jeong Yong-ki on divergent horror traditions and The Ghost Station
A study in scarlet
by Paul Risker
Dionne Edwards and Natey Jones on Pretty Red Dress
Something in the light
by Paul Risker
Mark Jenkin on the cinematic form, the boundaries of horror, and Enys Men
Fluid and delicate
by Paul Risker
Trace Lysette on representation, empathy and Monica
Imperfect love
by Paul Risker
Marvin Samel on artistic collaboration, family turmoil and iMordecai
A little poison
by Paul Risker
Kit Zauhar on unlikeable characters, white masculinity and This Closeness
That invisible haunting
by Paul Risker
Saela Davis and Anna Rose Holmer on God's Creatures
Seeking resolution
by Paul Risker
Jamie Adams on revisiting the past in She Is Love
Real obsession
by Paul Risker
Dillon Tucker on obsessive compulsive disorder and Pure O
Digging up the past
by Paul Risker
Ben Parker and Charlotte Vega on the importance of remembering history, and Burial
Getting the bug
by Paul Risker
Carter Smith on queering horror in Swallowed
Acknowledging her anger
by Paul Risker
Tara Thorne and Lesley Smith on telling missing stories in Compulsus
Variations on a theme
by Paul Risker
Kevin Kopacka on connecting with the subconscious in Dawn Breaks Behind The Eyes
Breaking the rules
by Paul Risker
Alessandro Celli on reinventing the Italian crime genre in Mondocane
Children of the revolution
by Paul Risker
Noam Tomaschoff and Chelsea Frei on Tankhouse
Summer's child
by Paul Risker
Colm Bairéad on bringing The Quiet Girl to the screen
Background to a tragedy
by Paul Risker
Justin Kurzel on exploring real events in Nitram
The trojan horse
by Paul Risker
Franka Potente on making her directorial début with Home
Working girls
by Paul Risker
Henrika Kull on sex work, feminism and Bliss
Finding freedom
by Paul Risker
Laurent Micheli on getting beyond victim stereotypes in Lola And The Sea
Updating the conspiracy thriller
by Paul Risker
Jacob Gentry on the creative process and Broadcast Signal Intrusion
Walking the line
by Paul Risker
James Ashcroft on character ambiguities and Coming Home In The Dark
Rediscovering Spain
by Paul Risker
Susan Stern on her personal documentary about her husband's life and work
The X factor
by Paul Risker
Stephen Kijak on his career and rockumentary We Are X.
Making a killing, part 2
by Paul Risker
Billy O’Brien on serendipity and the making of I Am Not A Serial Killer.
Making a killing, part 1
by Paul Risker
Billy O’Brien on I Am Not A Serial Killer and how he became a filmmaker.
Magnetism of Magnus
by Paul Risker
Benjamin Ree on the challenges and rewards of his chess documentary.
"I just wanted to go crazy and stab a guy a bunch of times"
by Paul Risker
Lauren Ashley Carter on Darling.
Natural connection
by Paul Risker
Stuart A Staples and David Reeve on reinterpreting the work of F Percy Smith.
News

All the buzz Sander Maran and Peeter Maran on Chainsaws Were Singing

A wicked experience Daniel Kokotajlo on British folk horror and Starve Acre

Her inner life Nanette Burstein on Elizabeth Taylor: The Lost Tapes

A little bit of life Tatiana Huezo on capturing the moment in The Echo

Her own anchor Haley Bennett and Thomas Napper on Widow Clicquot

Under gaslight Tatjana Anders on identifying toxic relationships and making Your Reality

Blitz to close New York Film Festival Steve McQueen delighted to be back

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