San Sebastian to pay tribute to Joseph Losey

US filmmaker will be subject of retrospective.

by Amber Wilkinson

San Sebastian will pay tribute to the filmmaker
San Sebastian will pay tribute to the filmmaker Photo: Courtesy of San Sebastian Film Festival

San Sebastian Film Festival has announced it will pay tribute to US filmmaker Joseph Losey during its 2017 edition.

The director, who moved to Britain after suffering fallout from the Hollywood witch hunt, became a leading figure in European independent film. His work includes The Servant, Accident and The Go-Between.

His work is divided into three periods: his early period in North American film until the early Fifties, the prestige he achieved in the UK of the Sixties and Seventies and a later, more itinerant stage when he worked for Italian, French and Spanish production.

He made his feature debut in 1948 with The Boy With Green Hair, a parable against war, totalitarianism and intransigence towards difference, produced by RKO. He went on to direct a series of film noirs – The Lawless (1950), The Prowler (1951) and The Big Night (1951), all three penned by screenwriters blacklisted by the Un-American Activities Commission, Daniel Mainwaring, Daltun Trumbo and Ring Lardner Jr – and even a remake of Fritz Lang’s famous M in 1951, his name appeared on the blacklist for the tone of his early films and he was accused of belonging to the North American Communist Party.

When called to testify, he was in Italy shooting Stranger on the Prowl. He decided not to return to the United States and settled in Britain.

Losey went on to have a prolific career, culminating with his final film, Steaming, in 1985. He never saw the final cut as he died in 1984, almost a year before the film had its premiere at Cannes.

Losey’s relationship with the San Sebastian Festival was always complicated owing to the Franco dictatorship. In addition to Figures In ALandscape, the Festival screened The Sleeping Tiger, Boom and The Go-Between.The Romantic Englishman was also selected, but the director and Glenda Jackson refused to come to the event in protest against the death sentences recently signed by Franco.

Share this with others on...
News

Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend

Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger

Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'

Collective power We look ahead at the programme of this year's Folk Film Gathering

Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos

Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature

More news and features

We're bringing you news and reviews from the San Francisco Independent Film Festival and Queer East.



We're looking forward to Cannes.



We've recently brought you coverage of Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival, the NY Rendezvous with French Cinema, the Glasgow Film Festival, the Berlinale, Sundance and Palm Springs.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest from the spring events:


Cannes 16 titles added to line-up


Cannes Announces full jury


Cannes Directors' Fortnight selection


Cannes Payal Kapadia heads Critics' Week jury