Difficulties of A Man's Job

Director Aleksi Salmenperä on controversy and his latest film.

by Paul Griffiths

 Writer/director Aleksi Salmenperä  photo: Stuart Wilson/Image Net

Writer/director Aleksi Salmenperä photo: Stuart Wilson/Image Net

A Man’s Job is shouldering a country’s reputation in London this week as it’s the sole Finnish film showing in this year’s festival. Quality not quantity, as they say, and Finland certainly have confidence in writer-director Aleksi Salmenperä’s latest effort, choosing it as their official submission for the Best Foreign Language Film Category in next year’s Academy Awards.

It’s an intriguing film focussing on an out-of-work father’s unorthodox attempts to still be the family breadwinner, by trying his hand at male prostitution. Salmenperä was on hand at the screening to talk briefly about his breakout picture. Attention inevitably turned to the controversial scenes where a mother engages the services of the male lead for her daughter with Down syndrome. What advice was Salmenperä given when he wrote those sequences?

“I was asked to take out the Down's syndrome scenes. I was told it is not right to use the Down's syndrome actress,” he said. “I thought about it. But when I met the actress and her mother they were demanding that it be in the film. They are the clients, like everyone else.”

Those, and other scenes, have provoked differing reactions at screenings around Europe. “In France I was asked to put in more Down's syndrome sex,” the director noted. On a more general level he added: “In Spain they laughed a lot throughout the film. Everywhere else they’re quite silent”.

There are certainly humourous moments during the film that the London audience seemed to appreciate, although not raucously. Had Salmenperä been trying the make a comic film?

“When I was making it I was trying to keep it funny,” he said. ”The subject is not funny, so I tried to add elements so that you can laugh at the man’s humilities, if you feel like it.” But he admitted, “In the shooting it got more serious than I thought.”

With this being his second Oscar nomination, following his Producing Adults in 2004, it looks like things could be getting even more serious for the filmmaker in the future.

Share this with others on...
News

Precision filmmaking Casey Walker on setting rules, layering complexity, and making Home Bodies

A dangerous woman Rebecca De Mornay on finding characters' truth and making The Gentleman Thief

Divine transformation Eriko Katagiri on the itako tradition and When You Open The Door

Learning to let go Gloria Mercer and Bethany Brown on filming sex, drugs and A Safe Distance

Framing a feature Michele Fiascaris on expanding his short Rain Catcher into a rain-slicked noir thriller

A heroine of the people Avid Liongoren on the Filipino animation industry and Zsazsa Zaturnnah

More news and features

We're bringing you news, reviews and more from the Fantasia International Film Festival.



We're looking forward to the Locarno Film Festival, the Edinburgh International Film Festival and Frightfest.

We've recently brought you coverage of the Karlovy Vary International Film Festival, the Muslim International Film Festival, Docs Ireland, Sheffield DocFest, ImagineNative, Tribeca and Cannes.



Read our full for more.


Visit our festivals section.

Interact

Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.


It's a busy time for festivals and here's the latest:


Dinard Amira Casar to head jury, plus opening film announced


San Sebastian Leigh, Naishtat and Larraín among those joining line-up


Fantasia Nighborn is Cheval Noir Best Film; full list of award winners announced


Frightfest Full line-up announced


Sarajevo Festival to honour Asghar Farhadi and present tribute programme