Julieta (2016)
A mother and daughter struggle to come to terms with grief.
Madame (2017)
A wealthy American persuades her Spanish maid to pretend to be a noblewoman in order to make up the numbers at dinner, only to have an English aristocrat fall in love with her.
The Man Who Killed Don Quixote (2018)
A cynical advertising director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote.
A Mermaid In Paris (2020)
A man rescues a mermaid and gradually falls in love with her.
Tu Me Manques (2019)
Following his son Gabriel’s death, Jorge travels from conservative Bolivia to New York City to confront Gabriel’s boyfriend Sebastian. While the two battle over Jorge’s inability to accept his son, Sebastian channels his grief into a bold new play in honour of his lost love.
News

Stay-At-Home Seven: November 30 to December 6 Films to look out for on TV and streaming services this week

Streaming Spotlight on disability in film Disabled characters as we rarely see them

Director puts femmes to the fore Martin Provost on Juliette Binoche, gender divisions and revolution

Dreams of reality Jason Neulander on perception, reality and breaking the rules in his debut Fugitive Dreams

Césars on the move France's Oscars delayed to March for live celebratory event

Slamdance announces largely virtual line-up Festival also shifts to February for 2021 edition

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Festival season is now over for this year as we move into awards season, but we still have reviews coming in from some of this year's most celebrated events.



We've recently covered Tallinn Black Nights, DOC NYC, Sheffield DocFest, the London Korean Film Festival, Welsh horror festival Abertoir, New York's Newfest, the October edition of Frightfest, the Scottish Queer International Film Festival, the London Film Festival, the New York Film Festival and the Venice Film Festival.



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