Eye For Film >> Search >> 'Spike Lee'
A drug dealer Edward Norton has 24 hours to make amends with his high school buddies.
Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and became the head of the local chapter.
Lysistrata re-envisioned through an outbreak of street violence between black gangs.
A film of Byrne's acclaimed Broadway show.
Four African-American vets battle the forces of man and nature when they return to Vietnam seeking the remains of their fallen squad leader and the gold fortune he helped them hide.
Racial tensions come to the boil on the hottest day of summer in Brooklyn.
A jailbird dad tries to reconnect with his basketball prodigy son, so that he can broker a shorter sentence.
Spike Lee takes on the heist genre.
A man who spent 20 years in solitary confinement sets about looking for vengeance.
Sacked biotech whistleblower starts a business inpregnating lesbians who want babies.
Spike Lee focusses his camera on the summer when Son of Sam roamed the streets.
Family reunion Tasha Hubbard on exploring the aftermath of the Sixties Scoop in Meadowlarks
Throwback Adam Rehmeier on the spirit of Seventies cinema and Carolina Caroline
Uncovering everyday moments Alvin Hall and Sam Pollard on uncovering the history of The Lorraine
Driven by love and capitalism Director Pierre Le Gall on the themes of Flesh and Fuel
The ultimate act of friendship Robin Campillo on picking up the threads from the late Laurent Cantet
Reaching for a better future Daniel E Catullo, Julie DeVercelly and Gary DeVercelly on hazing and 4000 Days
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We're looking forward to Docs Ireland and the Fantasia International Film Festival.
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It's a busy time for festivals and here's the latest:
Fantasia Second wave of titles announced
Tribeca Artistic director Frédéric Boyer discusses the highlights of this year's edition
Cannes The 2026 Palme d'Or has gone to Fjord
Cannes Everytime wins Un Certain Regard prize
Cannes Yuri wins Palm Dog for La Perra
Cannes La Gradiva tops Critics' Week awards