Eye For Film >> Search >> 'Melanie Griffith'
An insurance investigator finds himself on the trail of intelligent robots in a future dystopia.
Junkies go on a spree of devastation.
Woody Allen comedy that is more about sex than fame.
Jeremy Irons takes on Nabokov's dirty old man out to corrupt a young girl.
The mouse who lives like a boy makes friends with a bird.
A humble secretary, betrayed by her boss, makes the most of a brief time left in charge to pursue her own ambitions in the world of high finance.
Uncovering everyday moments Alvin Hall and Sam Pollard on uncovering the history of The Lorraine
Driven by love and capitalism Director Pierre Le Gall on the themes of Flesh and Fuel
The ultimate act of friendship Robin Campillo on picking up the threads from the late Laurent Cantet
Reaching for a better future Daniel E Catullo, Julie DeVercelly and Gary DeVercelly on hazing and 4000 Days
Escaping perfection Andrew Durham on adapting Alysia Abbott's memoir Fairyland
Playing it safe Will Bates on early musical influences and scoring Tuner
Farewell to Anthony Head Much-loved star dies at 72
We're bringing you news, reviews and more from ImagineNative and Tribeca.
We're looking forward to Docs Ireland and the Fantasia International Film Festival.
We've recently brought you coverage of Cannes, Queer East, the San Francisco Independent Film Festival, Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival and the NY Rendezvous with French Cinema.
Read our full archive for more.
Visit our festivals section.
Don't forget that you can follow us on YouTube for trailers of festival films and more. You can also find us on Mastodon and Bluesky.
It's a busy time for festivals and here's the latest:
Fantasia Second wave of titles announced
Tribeca Artistic director Frédéric Boyer discusses the highlights of this year's edition
Cannes The 2026 Palme d'Or has gone to Fjord
Cannes Everytime wins Un Certain Regard prize
Cannes Yuri wins Palm Dog for La Perra
Cannes La Gradiva tops Critics' Week awards
