Any Given Sunday (1999)
Oliver Stone takes a gladiatorial look at the world of American football.
He Got Game (1997)
A jailbird dad tries to reconnect with his basketball prodigy son, so that he can broker a shorter sentence.
Knight Rider: The Complete Third Series (1984)
The Hoff, wearing The Hair, kicks criminal ass, with the aid of his talking car.
Mars Attacks! (1996)
Little green men invade the Earth.
The Running Man (1987)
Convicted of a crime he didn't commit, a police officer is forced to run for his life on a popular television game show.
She Hate Me (2004)
Sacked biotech whistleblower starts a business inpregnating lesbians who want babies.
News

Uncovering everyday moments Alvin Hall and Sam Pollard on uncovering the history of The Lorraine

Driven by love and capitalism Director Pierre Le Gall on the themes of Flesh and Fuel

The ultimate act of friendship Robin Campillo on picking up the threads from the late Laurent Cantet

Reaching for a better future Daniel E Catullo, Julie DeVercelly and Gary DeVercelly on hazing and 4000 Days

Escaping perfection Andrew Durham on adapting Alysia Abbott's memoir Fairyland

Playing it safe Will Bates on early musical influences and scoring Tuner

Farewell to Anthony Head Much-loved star dies at 72

More news and features

We're bringing you news, reviews and more from ImagineNative and Tribeca.



We're looking forward to Docs Ireland and the Fantasia International Film Festival.



We've recently brought you coverage of Cannes, Queer East, the San Francisco Independent Film Festival, Visions du Réel, Fantaspoa, Overlook, BFI Flare and SXSW, the Thessaloniki International Documentary Festival and the NY Rendezvous with French Cinema.



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It's a busy time for festivals and here's the latest:


Fantasia Second wave of titles announced


Tribeca Artistic director Frédéric Boyer discusses the highlights of this year's edition


Cannes The 2026 Palme d'Or has gone to Fjord


Cannes Everytime wins Un Certain Regard prize


Cannes Yuri wins Palm Dog for La Perra


Cannes La Gradiva tops Critics' Week awards